Margaret Atwood
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Science fiction and pandemics have an unusual link: the focus on a shared humanity
Mayurika Chakravorty, The Conversation
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The big news: Nobel laureate Abhijit Banerjee concerned over Indian economy, and 9 other top stories
Scroll Staff
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Margaret Atwood, Bernardine Evaristo share 2019 Booker Prize as judges ‘flout rules’
Scroll Staff
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Why we must read ‘The Testaments’ for hope whenever there is an authoritative regime
Saloni Sharma
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‘The Testaments’ examines how individuals make decisions about ethics in a totalitarian regime
Susan Watkins, The Conversation
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Watch: How ‘The Testaments’, Margaret Atwood’s sequel to ‘Handmaid’s Tale’ was launched in London
Scroll Staff
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Salman Rushdie and Margaret Atwood lead 2019 Booker Prize longlist
Scroll Staff
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Season Three of ‘The Handmaid’s Tale’ is on, but the graphic novel is a unique way to read the book
Arunima Mazumdar
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Margaret Atwood: ‘The Handmaid’s Tale’ may feel real in 2019, but solutions won’t come from novels
Camilla Nelson, The Conversation
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Diana Athill, British writer and editor, dies at 101
Scroll Staff
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Margaret Atwood announces sequel to ‘The Handmaid’s Tale’, to be published in 2019
Scroll Staff
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Margaret Atwood’s ‘Alias Grace’ shows us how society used to view female criminals
Catherine Cox, The Conversation Hilary Marland, The Conversation
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How the new season of ‘The Handmaid’s Tale’ is taking Margaret Atwood’s novel in new directions
Linda Wight, The Conversation
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Terrorists got the idea of 9/11 attacks from Star Wars, says Margaret Atwood
Scroll Staff
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After ‘The Handmaid’s Tale’, Margaret Atwood’s MaddAddam trilogy to be adapted into a series
Scroll Staff
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Trailer talk: Darkness and rebellion in ‘The Handmaid’s Tale’ season two
Scroll Staff
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Oryx and Crake
Scroll Staff
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Sewing quilts and spinning tales in Netflix’s stunning new miniseries ‘Alias Grace’
Ankita Chawla
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Miniseries ‘Alias Grace’ based on Margaret Atwood’s novel will be on Netflix in November
Scroll Staff
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Why American women are dressing up in attire from Margaret Atwood’s ‘The Handmaids Tale’
Cordelia Freeman, The Conversation